"We got to the point where Metroidvanias were "Ah yes, I got the GREEN COLORED DASH, which will break GREEN BLOCKS, and I can find all the spots I missed by checking my map. It's an ATTACK and a MOVEMENT OPTION--" and like idk at that point the genre was cooked for like a decade."
As usual, with these posts, I start by going off on twitter(Don't worry about this though, I'm just gonna rehash all of it here), this time about Metroidvania, and as usual it's time to salvage a messy thread from a dying platform.
Animal Well is apparently good(It's Sylvie Lime, but for normies.) and with that, comes the think pieces and opinions on what the nebulous and poorly named genre of Metroidvanias is and how they should be, mechanically.
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As someone who no longer watches WWE regularly, Wrestlemania weekend left me feeling a lot of ways about wrestling. This isn't a review. I have no true feelings on whether it was a good show or a bad show. I watched a la carte, and liked what I chose(Gunther/Sami > Rhea/Becky > Io/Bayley > the Six Woman, aaaand the end of Night 2, if you MUST know). WWE, lining up with what I've heard in the last year, seems to be in a good spot, made even better by the removal of Vince McMahon, whose awfulness as a storyteller was only surpassed by his awfulness as a human being. Despite the improvement, despite the scale and spectacle, despite year long storylines coming to a close, the emotions and storytelling felt off. Not that there wasn't emotion. There was a lot of emotions. Big, loud, boisterous emotions! Story beats like giant blocks stones, built up into a giant, drafty castle. Dry bricks lacking the wet mortar to bind everything together into something cohesive.
WWE stories that feel like they're built from lego, assembled through force and held by friction. You can build truly incredible things with legos and in the same way, no one should be ashamed of enjoying the stories within WWE. If you meet WWE on it's own terms, it can be a lot of fun!
But I want to talk about the mortar. The Wet Emotions that are often underused, and under appreciated in US Televised Wrestling.
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Mario 64 has been one of my favorite Mario games for a long time. This isn't really an uncommon opinion, as this game hits a certain nostalgic window for some people. It's a game people often remember fondly before going back and remembering how janky it is, or how rough the controls can be... how scattershot it's design was. What appeals to me about Mario 64 isn't that I was young. It is that the genre was young and it is the type of weird game that can only exist within a short window. The type of game that gets made when everyone is talented, but no one quite knows what they're doing yet.
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My friend Mirai has been doing her first play through of Demon's Souls and, bless my heart, she's been playing on the PS3. Mirai and I talk a lot about art stuff, so I couldn't help but to throw random screenshots from the Remake at her so we could have a giggle. Surely this wouldn't devolve into hours of screenshot comparing, and grumbling, and... well(It always ends up as an article, I swear to fucking god Mirai).
... I thought I was over this, but here I am, accidentally scratching open old wounds.
To be clear up front, I hate the art direction of Demon's Souls Remake. I mean hate hate it. If you like it, that's cool, no shade, we all have our own priorities. We care about different things, and tolerate different things differently and it's fine IT'S FINE YOU'RE FINE~
I think it's deeply important for a remake to have it's own identity. I think it's impossible to make a perfect remake without having your own opinion. Even if you slavishly upscaled everything exactly to match the original designs, changing the fidelity of the content changes the context. You get the repeating grass field in the ps3 Shadow of the Colossus(Don't ask Neolucky, the BEP cutscene artist about Bluepoint's SoTC remake, she might be a bigger hater than me) remaster. Stuff just doesn't work the same way when you scale it up(so stop upscaling and smoothing out vagrant story you fucking animals oh my fucking god).
You gotta make decisions and they made decisions, as they should have! But I swear to god, somehow, as far as my tastes are concerned, and despite all odds...
Every single one of them was bad.
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Final Fantasy 7 Rebirth released a demo and... there are yellow painted cliffs, reigniting a conversation that keeps coming up every few months. Now, I have no exact opinion on it's use in FF7R. It seems to be explained in universe (it's a temporary route, purposefully marked), and marking paths is hardly a sin. Hinting at the so called Golden Path is a fundamental aspect of level design. This isn't about FF7R.
... But oh god did it unfortunately choose that yellow paint that has come to symbolize a type of hand holding that has been wearing on players over the last decade. It has started to feel similar to the ancient Old Man Murray "Start to Crate" system, judging a game on "How long it took to see a crate", representing the point where "the developers ran out of ideas".
This standard wasn't exactly fair and neither is judging a game on using yellow paint. FF7R is probably fine, because again, this isn't about FF7R. It is, of course, not even about the yellow paint. It's about what the yellow paint represents.
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